Wednesday, 21 June 2023

CODES AND CONVENTIONS


 




SCRIPT - 1502

We will be discussing the codes,conventions, viewpoints and ideologies of the front cover of issue #1502 of the Big Issue

The front cover we have chosen is an example of an environmental cover. A conventional presentation of similar covers include: an artistic cover (using digitally or physically drawn images), a ‘cartoonish’ approach using sketched, one-dimensional image/drawing hybrids to create a lighthearted presentation, and finally a ‘realistic’ image, similar to those found in nature journals. However, the issue we have chosen to study seemingly breaks this genre convention in multiple ways.

Slide 5

The masthead conforms to the conventions of The Big Issue’s typical layout, using a sans-serif, large, bold font to connote the bold statements The Big Issue typically makes to attract new consumers due to their large non-core reader base.

However, the masthead has been slanted to represent the areas of Britain that are endangered because of rising sea levels and flooding. The ‘Big’ is just managing to float above the surface, whilst the ‘issue’ has sunk to the bottom. This connotes The Big Issue’s support for environmentalist views, seeing the significance of mitigating climate change for the benefit of society and the planet, but also how different groups and classes will be affected by the various changes caused, which is very inclusionary.

Slide 7

The Headline and Subheadline construct the intention of the cover. The headline denotes that the country is ‘going under’ (water), an outlandish statement to draw the reader in, with the subheadline clarifying the key exploration in the article of ‘how the poorest communities in Britain are being left to flood’. The phrase ‘going under’ is also commonly used to describe the failure and disappearance of businesses, possibly constructing an idea that it won’t just be the physical landscape endangered, but also the neglected lower classes.

The cover illustrates how the poorest members of society will be unable to mitigate, protect themselves from and eventually recover from natural events as climate change increases their frequency and intensity, whilst the richer percentage of the population will adapt and disregard those with less. This could also be linked with the masthead as the ‘issue’ (in this case, the poorer population who would be unable to fend for themselves) literally disappear from the surface, or as a topic of importance.

This clearly aligns itself with The Big Issues’ typical inclusionary values, and although they tend to focus on individualism in examples of their ‘celebrity spotlight’ or ‘marginalised heroes’ covers, in instances like this that deal with greater scale issues, The Big Issue conveys how significant collectivism can also be. In terms of environmental issues such as climate change, global efforts are required, be it through local or smaller scale efforts or larger, government or societal change that The Big Issue seem to propose in this issue.

Slide 9

The colour scheme chosen features what would typically be a natural colour palette associated with nature I.e. blues and greens. However, the shades chosen seem to be purposefully extraordinary, giving the image a freakishly dystopian tint. This signifies the possibly ‘dystopian’ future humanity may face with lack of climate intervention, reinforcing The Big Issue’s environmentalist ideology.

The use of image is also fairly unconventional as The Big Issue usually does not select edited images for environmental covers. This both shows how they are constructing a future projection, or ‘what if?’ take on current events, and the significance they believe the issue holds hence it being the splash.

Slide 11

Finally, the teasers conform to a typical Big Issue cover, apart from the slanted angle which corresponds with the broken masthead convention. The offlead stories’ copy is much smaller than the headline and subheadline, signifying how The Big Issue did not want them to overshadow the main story. They are simply the metaphorical pebbles on the seabed of the image. This once again reinforces The Big Issue’s support of environmentalism and progressive values which correlates with their general readership who they advertise as ‘environmentally, socially and ethically aware’.



 









 






 

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