1. "Globalisation has changed the way audiences consume and engage with long form television drama."
How far do you agree with this statement?
Why it’s #1: Globalisation and audience reception are core topics that have yet to be directly tackled in past questions. OCR likes to test global vs local perspectives.
2. "Long form television dramas reflect the political and social contexts in which they are produced."
Discuss how far this applies to your chosen texts.
Why it’s #2: It invites direct contextual analysis—vital to the exam—and ties into the role of media in reflecting societal issues.
3. "The representation of gender and identity in long form television drama reinforces rather than challenges dominant ideologies."
How far do you agree with this statement?
Why it’s #3: Representation is a consistent focus, but gender and identity have not been directly addressed yet in an OCR question.
4. "Narrative complexity is essential to the success of long form television dramas."
To what extent do you agree with this statement?
Why it’s #4: Narrative structure and complexity are part of LFTVD conventions, but have not been asked about as a primary focus yet.
5. "Long form television dramas made for streaming platforms are reshaping traditional television viewing habits."
Discuss the impact of digital convergence on production and audience reception.
Why it’s #5: Although this is a strong media topic, OCR may fold this into broader audience/industry discussions rather than ask directly.
No comments:
Post a Comment