Showing posts with label - THEORY - MEDIA AUDIENCE. Show all posts
Showing posts with label - THEORY - MEDIA AUDIENCE. Show all posts

Tuesday, 16 April 2024

GERBNER - CULTIVATION THEORY

 


https://www.slideshare.net/slideshow/audience-theory-gerbner-cultivation-theory/272240024

MODEL ESSAY
Look over this essay and consider the way we have been thinking about evaluation essays in general. 

1. Answer the question [0,1,2]
2. Correctly characterise the theory [0,1,2]
3. Use specific and detailed examples [0,1,2]
4. Apply the theory to the examples [0,1,2]
5. Evaluate the validity of the theory [0,1,2]

TITLE
Evaluate the effectiveness of one of the following theories (CULTIVATION THEORY) in understanding how audiences interpret newspapers, including how they may interpret the same newspapers in different ways.

INTRODUCTION: EXPLAIN THE THEORY
Gerbner theorised that consistent and heavy exposure to violent TV content may cultivate a negative view of the world, which he calls ‘mean world syndrome,’ and that long-term exposure to consistent messaging, especially around issues like gender roles and the stereotyping of marginalised groups, leads to the ‘mainstreaming’ of dominant perspectives so that they seem ‘natural.’ 

WRITE A PARAGRAPH ON ‘MEAN WORLD SYNDROME’
While Gerbner’s research was focused on TV, we can apply it to newspapers. If Gerbner is correct, newspapers that value ‘bad’ news may contribute to ‘mean world syndrome.’ The Daily Mail is known for its negativity toward a range of topics , from immigration, to lawlessness on UK streets. For example, in 2018, it’s June 8th cover pictured a machete wielding man and the headline “CHILLING REALITY OF WILD WEST UK.” The Daily Mail has the highest circulation of any UK newspaper, which may indicate the validity of applying Gerbner’s theory as their popularity is likely to increase the likelihood of them perpetuating ‘mean world syndrome’ through these types of lurid depictions of violence. Gerbner may point out that audiences who have a broader media consumption may not feel the same way as those whose primary source is a particular newspaper. For example, the Guardian has a reputation for reporting that avoids sensationalism and we might expect readers who also read The Guardian to avoid 'mean world syndrome.' However, for the past three years the Guardian online has included a substantial info hub dedicated to live updates of the war in Ukraine, which suggests that Gerbner’s ‘mean world syndrome’ may be relevant across even the most socio-politically different publications and perhaps that even those that read more than one paper may not be able to entirely escape it. 

WRITE A PARAGRAPH ON ‘MAINSTREAMING’
Gerbner theorises that repeated exposure to consistent messaging leads to 'mainstreaming' of social and political perspective. However, UK newspapers are notably socially and politically distinct, so are likely to offer contradictory messages, especially when dealing with contentious issue (e.g. Brexit). For example, on November 4th 2016, The Guardian and The Mail took very different approaches to reporting the high court ruling on article 50. The Mail branded the judges “ENEMIES OF THE PEOPLE,” ‘mainstreaming’ their readership’s pro-Brexit stance. Conversely, The Guardian headline acknowledged the difficulty for the prime minister while remaining politically neutral. We might argue that these contradictory messages invalidate Gerbner’s idea of ‘mainstreaming’ being applied to newspapers by demonstrating that this medium often conveys oppositional messaging. However, it is unlikely that ideologically different audiences are going to read a range of newspapers. Daily Mail readers, for example, are likely to continue to read stories that reinforce their negative views on Europe, on immigration and other right-wing talking points. It may therefore be useful to apply Gerbner 's ideas about ‘mainstreaming’ when considering the normalisation of these views among Daily Mail's readers, but less valid when analysing a liberal Guardian reader. 

APOLOGIES - I TRIED TO GET IT TO 450, BUT I'VE FOUND IT TOUGH TO GET BELOW 475. 





Sunday, 10 March 2024

JENKINS - FANDOM



Evaluate the usefulness of Jenkins on participation in understanding audience use of online newspapers such as The Guardian and MailOnline.

TASK 1: REWRITE THE FOLLOWING PARAGRAPH. 
  • Try to take out everything that is not absolutely necessary in this paragraph.
  • Include reference to specific data on social media platforms (See next slide).
  • Post your new paragraph in the comments section below.

Jenkins's work has been instrumental in highlighting the transformative impact of new media on audience participation and engagement. He argues that the proliferation of digital platforms has accelerated the shift towards a participatory culture, where audiences are no longer passive consumers but active and creative participants in the production and dissemination of content. In the realm of online news, platforms like The Guardian Online and MailOnline have embraced user-generated content to enhance reader engagement.  Both outlets encourage audiences to contribute comments, share articles on social media, and even submit their own stories and multimedia content. By opening their platforms to user participation, these news organisations empower audiences to play a more active role in shaping the news agenda. Jenkins's framework helps us understand how the development of new media technologies has democratised the news-making process, allowing for diverse voices and perspectives to be heard in the digital public sphere.

TASK 2: LOOK CAREFULLY AT THE HIGHLIGHTED SECTION.
  • Does it answer the question?
  • Does it validate Jenkins?
  • Does it invalidate Jenkins?
  • Rewrite the last two sentences in light of your discussion.
  • Post them to the comments section titled TASK 2

Jenkins's work has been instrumental in highlighting the transformative impact of new media on audience participation and engagement. He argues that the proliferation of digital platforms has accelerated the shift towards a participatory culture, where audiences are no longer passive consumers but active and creative participants in the production and dissemination of content. This is backed up by the stats, for example the Guardians, X (twitter) page has over 10.8 million followers, all of which can interact with every post, whether it is reposting it or commenting on the post, adding their opinion which leads to an increased amount of citizen journalism. But the average post on their twitter only gets just over 20k views, which shows that they have low engagement, this could be due to their stories being harmless, and not particularly ‘spreadable media’ which may suggest that people only want to have a say in the matter when it is a viral story with more controversial post. This is particularly emphasized by the fact that the most engaged tweet of theirs over the last two days is about Palestine, and has over 200k views, and over 240 comments, which is considerably more than any other post. Jenkins's framework is useful as it helps us understand how the development of new media technologies has democratized the news-making process, allowing for diverse voices and perspectives to be heard in the digital public sphere.


TASK 3: LOOK CAREFULLY AT THE NEXT PARAGRAPH
  • Firstly, notice that the opening sentence doesn't properly characterise the theory.
  • Also, notice that this paragraph doesn't directly answer the question.
  • Rewrite the opening so that you characterise the theory correctly. 
  • Write one or two more sentences that acknowledges the question stem.
  • Post it/them to the comments section titled TASK 3

Jenkin’s work points to the idea of “collective intelligence,” which manifests in online news in the form of citizen journalism. The Guardian online has embraced citizen journalism; its "Comment is Free" section, for instance, allows readers to contribute opinion pieces and commentary on a wide range of topics, amplifying diverse voices and perspectives. By embracing citizen journalism, The Guardian online has reaffirmed its commitment to journalistic values of transparency, accountability, and inclusivity, while remaining at the forefront of digital innovation in the media landscape. Jenkins is therefore useful in identifying the way that some newspapers have embraced participatory culture as a way to enhance content within their liberal agenda by offering a voice to a wider demographic.

TASK 4: NEGATIVE PARAGRAPH (FOCUS - MAILONLINE)
  • Read the following paragraph and give it a score/10
  • If you didn't give it 10/10, what does it need to improve it?
  • Ask yourself if you agree with what is being said. 
  • Take 10 minutes to find some evidence that would help you to improve this paragraph.
  • Take 10 more minutes to rewrite the paragraph including the evidence you have found.
Jenkins work explains that participatory culture, flourishes most in areas of the internet where communities share common interests and actively collaborate to produce and share content—such as fan-driven discussions around TV shows, movies, or gaming. This kind of participatory culture is less likely to thrive in the context of online newspapers like MailOnline due to the nature of news content and the ethos of professional journalism. News sites, especially those like MailOnline, prioritise reporting current events, which demands a level of objectivity and editorial oversight that can clash with the more open, creative, and interpretive nature of participatory culture. While MailOnline encourages user engagement through comments and social sharing, this is often more focused on sensational headlines and controversy, rather than the collaborative, fan-driven communities seen in media fandoms. Moreover, the ethos of journalism—fact-checking, accountability, and maintaining credibility—does not easily align with the unstructured, often speculative, and collaborative contributions that define participatory culture. Jenkins's theory of fandom, is less applicable in the realm of online newspapers, where the goal is to inform rather than to build imaginative, fan-driven worlds.

Thursday, 16 November 2023

RECEPTION THEORY - STUART HALL

The exam board's definition of Reception Theory seems to gather together a range of sources, but the most significant source is this essay he wrote in 1973. If you would like to read Hall's own words on the subject, here is a link to the essay:

Encoding and decoding in the television discourse (core.ac.uk)

Here is a link to the PowerPoint

https://www.slideshare.net/iammrhaywood/audience-reception-theorypptx