Monday, 9 February 2026

MOCK: PUBLIC SERVICE BROADCASTING - QUESTION ONE

How does public service broadcasting (PSB) differ from commercial broadcasting in terms of funding, content, and audience reach? Make specific reference to The Radio One Breakfast Show in your answer.

PLANNING

Ideally, you should plan three paragraphs. Some questions lend themselves to this very easily, other will need a little more careful thought. This one is easy.

Paragraph 1: Funding

Paragraph 2: Content

Paragraph 2: Audience Reach

For each section, you need to demonstrate the depth of you knowledge by offering up specific and detailed examples. In the comments section below, post an example of something that demonstrates your knowledge of these three areas. This should form the basis of your answer.


BELOW IS AN ESSAY THAT MAKES USE OF SOME OF THE SPECIFC AND DETAILED EXAMPLES POSTED IN THE COMMENTS SECTION. USE THE MARKSCHEME TO GIVE IT A MARK/15

Chatham and Clarendon Media Studies Blog: VIDEO GAMES / FILM INDUSTRY / PUBLIC SERVICE BROADCASTING MARKSCHEME


INTRODUCTION

Public service broadcasters (PSBs) such as the BBC are publicly funded and operate under a remit to inform, educate and entertain, whereas commercial broadcasters are profit-driven and rely on advertising revenue. These differences shape the type of content produced and the audiences targeted. This can be clearly seen through The Radio 1 Breakfast Show, which reflects the BBC’s public service values and funding model.

FUNDING (USING SOME OF THE EVIDENCE IN THE COMMENTS SECTION)

One key difference between PSB and commercial broadcasting is the approach to funding. The BBC, including BBC Radio 1 and R1BS, is predominantly funded through the TV licence fee rather than advertising and sponsorship. According to the BBC Accounts and Trust Statement 2024–25, the BBC collected approximately £3.8 billion from licence fee income, with 20% of the licence fee allocated to BBC Radio. However, Radio 1 received only a third of the funding of Radio 4, suggesting that the BBC is more committed to programming that seeks to inform and educate older viewer than it is to entertaining its younger demographic. In contrast, commercial radio stations rely primarily on advertising revenue, meaning content is often shaped to attract advertisers rather than meet public service objectives meaning that they tend to prioritise entertainment. The BBC’s funding model is increasingly under pressure, as a Public Accounts Committee report found that licence fee evasion and non-purchase resulted in over £1.1 billion in lost income in 2024–25. With a charter review underway until 2027, the future funding of PSB, including programmes like The Radio 1 Breakfast Show, remains uncertain.

CONTENT

A key difference between public service and commercial broadcasting is evident in the content of The R1BS. Since Greg James became host in 2018, the programme has actively moved away from celebrity gossip towards listener-led, inclusive content, reflecting the BBC’s public service remit rather than commercial priorities. Greg James has described the show as “a safe space to confess things and be weird” and stated that “this show is all about you”, emphasising its focus on audience participation over profit. Segments such as Is It Just Us? and Unpopular Opinions rely on listeners sharing personal stories and opinions without financial reward, contrasting with commercial radio’s frequent use of prizes and sponsorship. The show also demonstrates digital convergence through its integration of social media, the BBC Sounds app and online video clips, allowing audiences to engage beyond live radio. This multiplatform approach helps Radio 1 reach younger audiences nationally while maintaining PSB values rather than tailoring content to advertisers.

AUDIENCE REACH

PSB also differs from commercial broadcasting in terms of audience reach, as the BBC is required to serve a wide and diverse national audience. The Royal Charter states that it must provide services that “inform, educate and entertain” all audiences and reflect the diversity of the UK, rather than targeting only commercially valuable demographics. While R1BS is aimed primarily at 15–29 year olds, it still seeks to represent a broad range of voices within that group. This can be seen through the use of guest presenters such as Henrie Kwushue, Shivani Dave, and Dean McCullough, who brought Black British, South Asian, LGBTQ+ and regional perspectives to the station during 2020. Kwushue noted the importance of “hearing a voice that sounded like mine”, highlighting Radio 1’s role in offer diverse representation. Unlike commercial broadcasters, which often narrow audiences to maximise advertising revenue, the BBC reaches around 90% of UK adults weekly, reinforcing its role as a national public service broadcaster.



5 comments:

  1. Funding:
    Key idea - BBC Radio is predominantly funded by the TV License while other broadcasters are funded primarily through advertising.

    Fact: According to the BBC Accounts and Trust Statement 2024–25, in 2024–25, the BBC collected around £3.8 billion from licence fee income.
    Fact: According to The GuardianOnline, 20% of the total license fee went to BBC Radio, with BBC Radio 1 receiving significantly lower funding that BBC Radio 4.

    Key idea - An increasing number of people have either cancelled their license or are evading payment, leading to a potential funding crisis. With the charter review due in 2027, there is some speculation that the BBC will need to find other funding models to either support or replace the license fee.

    Fact: A Public Accounts Committee report found that licence fee evasion and non-purchase together represented over £1.1 billion in lost income to the BBC during 2024–25, with both evasion and households opting out driving this shortfall.

    Fact: According to the UK parliaments commons library, a charter review process is underway (to 2027) that includes public consultation on the future of BBC funding, potentially reshaping or reforming the licence fee system.

    https://commonslibrary.parliament.uk/research-briefings/cbp-10050/?utm

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  2. Funding
    https://www.bbc.com/aboutthebbc/governance/licencefee
    BBC Funded by:
    -TV License – annual fee paid by households, businesses, and organisations that watch or recor live to, or use BBC iPlayer. The fee is £174.50 per year, providing the majority of BBCS revenue. In 2024-25 £3.8 billion license fee income was collected.

    Commercial income: License fee is supplemented by income from the activities of our commercial subsdiaries for example British studios – creating premium british content for audiences in the UK, and BBC studioworks – providing studios and post-production services for major to Broadcasters and production companies

    -Advertisements (the BBC not Breakfast show, there ae no ads on BS)
    -BBC Subscriptions

    -The BBC is obligated by its Royal Charter to serve audiences with content that informs, educates, and entertains, a mandate that applies specifically to youth-focused programming like The Radio 1 Breakfast Show (R1BS).

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  3. Content

    Key Idea: Greg James became the host in 2018 and since then has created new popular segments like Yesterday’s Quiz, The Ten-Minute Takeover, Unpopular Opinion, and The Giant Greg James Game. It feels energetic, lively, engaging, amusing, humorous and playful and aims to cheer up people in the mornings. When Greg James took over Radio 1 Breakfast in August 2018, he deliberately shifted the tone away from celebrity gossip toward listener participation and playful, inclusive features. His version of the show was built around interactivity, humour, and national engagement.

    Fact: According to Greg James, the BBC R1 BS is “a safe space to confess things and be weird "and focuses on inclusivity and the listeners, further stating that “This show is all about you”.

    Audience engagement: Increased emphasis on listener stories, challenges, and live stunts (e.g. The Radio 1 Giant Hide and Seek in 2019).

    Yesterday's quiz – Listeners compete by answering questions about events or topics from the previous day. With every correct answer you gain a point. It is a competitive game often involving teams, or you can play independently. To win, you must gain the highest number of points. You dont win any prize, just on-air bragging rights.

    Ten-minute takeover - a popular interactive music request segment on BBC Radio 1's weekday afternoon show, originally hosted by Greg James. Listeners call in or message to "take over" the airwaves for about 10 minutes, during which the host plays a continuous stream of songs chosen entirely by the winner(s). It's high-energy, chaotic fun, often featuring a mix of pop, indie, throwbacks, and listener-curated vibes. It typically airs around 6:00 PM (UK time) Monday to Thursday during the 4–7 PM slot, right before the evening shows.

    Is it just us - a lively, interactive segment on BBC Radio 1's Radio 1 Breakfast show, hosted by Greg James. It airs Monday through Thursday as part of the weekday morning lineup (typically 7:00–11:00 AM UK time), where the presenter shares a quirky personal obsession, habit, or random thought—then throws it out to listeners to chime in: Is it just me, or do you feel the same? Greg (or a guest host) confesses something niche or mildly absurd. Listeners text, call, or tweet responses to reveal if it's a shared quirk or truly solo weirdness.

    Occasional specials, stunts, historic features, showquizness - BBC Radio 1, particularly under Greg James' Radio 1 Breakfast show is known for its mix of high-energy music with playful, over-the-top specials and stunts that go beyond daily segments. These are irregular, event-driven features designed to create buzz, engage listeners in real-time, and often tie into festivals, holidays, or viral challenges. They're not weekly staples but pop up for fun, charitable, or promotional reasons, blending absurdity with audience participation. Celeb guests scrolled their phone contacts live. For each entry, they picked: Call (prank dial the person with a silly script, often leading to awkward hilarity) or Delete (permanently erase the number, with dramatic flair).

    The show features a mix of contemporary pop, indie/alternative, hip-hop/R&B, dance, and rock music, with a focus on current and developing artists that appeal to a youth-oriented audience. “it’s target audience is 15–29-year-olds and it should also provide some programming for younger teenagers. It should offer a range of new music, support emerging artists (especially those from the UK) and provide a platform for live music. News, Documentaries and advice campaigns should cover areas of relevance to young adults.” Direct quotation from service license.

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  4. Content continued

    Digital integration: Stronger use of social media, YouTube, and visual content to connect with younger audiences who access the show online rather than via live radio.

    Unpopular opinions - on BBC Radio 1's Radio 1 Breakfast show, hosted by Greg James. It airs during the weekday morning slot (7:00–11:00 AM UK time, Monday–Thursday) and invites listeners to share their bold, quirky, or downright controversial takes that they suspect most people would disagree with. Listeners call, text, or message (via the BBC Sounds app or @BBCR1 on X) with an opinion they think is unique or divisive. Greg reads it out, debates it with the listener or co-hosts, and gauges audience reactions live. Examples range from "pineapple on pizza is a crime" to "socks with sandals are peak fashion."

    Scheduling: The show initially moved to a four-day week (Mon–Thurs) with others covering Fridays (a shift designed to broaden presenter exposure) before returning to a five-day format in 2021. 07:00-10:30 currently. The scheduling has been tweaked over time, with occasional special programming that may extend or shift its airtime. The original airtime of 6:30 to 10 am was rescheduled during the covid period to account for availability of presenter and has continued in the new time to better serve younger listeners.

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  5. Audience reach (didnt get to finish it)

    Henrie Kwushue
    Role: Guest presenter during the festive period in 2020.
    Background: British Nigerian.
    Minority Representation: Yes – Black British woman.
    Notable Quote: "It's amazing to be a part of the Radio 1 Christmas schedule because I've always wanted to hear a voice that sounded like mine on the station, and now I can… because it's my own voice!"

    Shivani Dave
    Role: Guest presenter during the Christmas schedule in 2020.
    Background: British of South Asian descent.
    Minority Representation: Yes – Non-binary and South Asian.
    Notable Quote: "I love that I can be so out and proud and still be accepted into the Radio 1 family."

    Dean McCullough
    Role: Guest presenter in 2020; later hosted Friday Early Breakfast shows.
    Background: Northern Irish.
    Minority Representation: Yes – Openly gay.
    Career Path: Started at Wandsworth Radio; also hosted on Gaydio.

    BBC continues to reach 90% of UK adults on average each week, rising to 97% over a month, and is the nations number one media brand.

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